DAMN. CUT

Ink colours

Green Red Blue

A = automate on the timeline lane. M = route a modulator (audio / LFO / cut envelope) to it.

Per-cut multiplier

Music

No track loaded.

Every N beats

Beats per clip

LFOs

Live source values

Modulation routes

Amount is a share of the target's full range and can be negative. Random (S&H) LFOs are how you get effects reshuffling themselves.

Canvas

Aspect Height

Frame fit

Levels

Export

Real-time capture from the top of the timeline. Output is WebM — ffmpeg -i in.webm -c:v libx264 -crf 18 -pix_fmt yuv420p out.mp4

Setup

Presets carry look, cuts, modulation, automation and text. Media isn't saved.